I’m Still a Kid at Heart: Pooh Bear

When I was on my lunch break at work, I was reading Winnie-the-Pooh, the original adventures by A. A. Milne and E. H. Shepard, at my desk and a co-worker came up to me. “What’s that?” he said. “I’m a kid at heart,” I said sheepishly as I pulled out Winnie-the-Pooh.

“No way!” he said. “I love it! You never stop growing up!”

It was my biggest reading compliment of the day. I had read Hemingway’s A Moveable Feast, Gertrude Stein’s Paris France, and now Winnie-the-Pooh after craving something more delightful than modern fiction. I was blessed by all the cute and wonderful sayings I saw in Pooh Bear’s world, and below is one of my favorite quotes which I should make into a poster and put on my bedroom wall:

“When you wake up in the morning, Pooh,” said Piglet at last, “what’s the first thing you say to yourself?”

“What’s for breakfast?” said Pooh. “What do you say, Piglet?”

“I say, I wonder what’s going to happen exciting today?” said Piglet.

Pooh nodded thoughtfully.

“It’s the same thing,” he said.

Now that I have a Pooh Bear quote to live by, I can wake up and have something to look forward to every day, like a good hearty breakfast (preferably with sausage and a muffin) or a coffee date with my favorite person in the whole wide world. Or I could be thinking “Grand Thoughts to [myself] about Nothing,” as A. A. Milne says about Pooh Bear when Christopher Robin goes off to sleep.

Maybe I should think of Grand Thoughts about Nothing? I suppose they’ll help me get to sleep sooner than I already do. Good Night, or Good Morning readers, and have a Grand Day.

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How to Introduce a Book, and Why I Like Hemingway

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish….

-Ernest Hemingway, The Old Man and the Sea

When you introduce a book, you can’t simply give an imagery description of the town, or a bland description of the character’s physique. Sometimes you wait to say who the character is or how the character looks until after you say what the character does.

Here in the introduction of Hemingway’s The Old Man and the Sea, I am struck by the short paragraph which tells readers why the old man is the center of this story. Look at the following passage, which is the rest of the introduction, to see what I mean:

It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with flour sacks and, furled, it looked like the flag of permanent defeat.

Although I omitted sections for brevity, I included the most important phrase—“the flag of permanent defeat”—which sets the story’s tone and shows the old man’s perpetual misfortune. My favorite lines in the next few pages involve dialogue between the old man and the boy, when they reminisce about the time they first met and how important the boy is to the man:

“How old was I when you first took me in a boat?” [said the boy].

“Five and you nearly were killed when I brought the fish in too green and he nearly tore the boat to pieces. Can you remember?”

“I can remember the tail slapping and banging and the thwart breaking and the noise of the clubbing. …”

“Can you really remember that or did I just tell it to you?”

“I remember everything from when we first went together.”

The old man looked at him with his sun-burned, confident loving eyes.

“If you were my boy I’d take you out and gamble,” he said. “But you are your father’s and your mother’s and you are in a lucky boat.”

When Hemingway won the Pulitzer Prize for this novella, he deserved it well. We now know who the old man is by seeing him with our eyes and understanding him with our minds. That is the importance of style when introducing characters.